Belgrade-born, London-based artist Djordje Ozbolt (b. 1967) is one of the best contemporary examples of an uninhibited approach to the venerable genre of painting and sculpture. Infused with wit and humour (of all varieties: satire, slapstick, black), Ozbolt’s work takes on themes of history, politics and travel, among others. An essay from Oliver Basciano, International Editor across ArtReview and ArtReview Asia magazines, explores themes of incongruity, the natural world and displacement, and places Ozbolt in a wider context of visual culture and art history. Incl. essay by Oliver Basciano.